Literature - The books that survived...

After the burning of the books ceremony, in Berlin, when 20,000 books; fiction and non fiction were burnt to cleanse Germany. many novelists such as Thomas Mann and Stefan Zweig went into exile. others stayed but were forbidden to publish and some were put into prison. Novelist were expected to promote Nazi ideology or be neutral in there writing styles and opinions. Favorited novels of the time included about comrades in the trenches, and the 'blood and soil' novels which stressed the traditions rural peasant values. 

Many children's books included stories about the 'dirty Jews' and how they were not to be trusted ect, these were taught in schools as well as for 'bedtime' reading. When you look at the grand scheme of things to do with education of the youth and the parental upbringing, of which of course wasn't going to go against the Nazis due to the fear of being taken away and killed; it shows how effective propaganda was in literature sense. Especially in the younger generations as they were bought up reading and following Nazi ideology, knowing no different.

The propaganda minister, Joseph Goebbles did not think a lot of the books however and didn't see why Hitler put up with some of the publications as they were so 'terrible'. For example; one children's book called the 'poisoned mushroom, or Der Giftpilz, which is the German word for toadstool. This publication was by Julius Streicher and his publication house. It was aimed at kids and sometimes used in schools. It's stories included; 'how to recognise a Jew' 'how Jewish traders cheat' 'are there any decent Jews?' and many more awful titles. 
To read some of the stories; click on the link below. 

Stories from the book 'the poisonous mushroom'

Cultural propaganda; Paintings...

Hitler was very interested in paintings and in 1828 Alfred Rosenberg set up the combat league for German culture, once in power Hitler began to remove any work he say was ‘degenerate’ or corrupt. To make wake for ‘healthy’ Aryan art, this portrayed the Nazi ideology and message. Others had wider artistic taste but in 1936 Hitler’s views were imposed.

Modern, abstract, reflective art that had become popular in the Weimar Republic was replaced by clear visuals that ordinary Germans could understand and could be inspired by.  Nazi art was to be clear, direct and heroic. This meant people were not drawn as real individuals but instead as heroic idealisations (the healthy peasant, the brave warrior, the productive woman for examples). All the while Hitler was portrayed as the ‘wise, imperious leader’.

example of abstract work of the time
that was seen as degenerate and disturbing.

Landscapes, revealing sources of the Volk and rural life, predominated, followed by nude women to display biological purity. Even though they were superficially realistic compared to the much hated abstract art, it didn’t reflect the real world so much as the Nazi ideology and myths.

Hitler saw that art should be of the masses; in both terms of reflecting popularity and to reach mass audiences. This therefore made this form of propaganda effective; as the state had control over what was produced and how it was spread through-out Germany. All working artists had to become members of the ‘Reich Culture Chamber’ and the state could remove licences to teach, exhibit or paint by issuing a ‘Malverbot’.

There were lots of well-attended local and national exhibitions throughout this period, in 1935 over 120 exhibitions were held in factories and in 1941 there were over 1000 art exhibitions overall.  Many paintings were reproduced full scale or for postcards, stamps, in journals or newspapers. One magazine had over 50,000 prints ran over its course.

Lehmann-Haupt said that everyone was ‘continuously exposed to some form of officially sponsored art activity’ but looking at it from an artistic viewpoint it shows how German art degenerated under the Third Reich into masses of stereotypical images. This was because many of the greatest artists had left the country. Or went into internal exile meaning they stayed in Germany but stopped working as an artist.

Art propaganda took several forms...

Sculpture;

Sculptures were mire immediately accessible to people through the fact many had been placed inform of public buildings. And by 1934 it was decreed that all new public buildings should be embellished by statues which conveyed the Nazi message. Many showed the typical stereotype of the Nazi race and virtues with the ‘perfect’ exterior. A series of sculptures were of muscled men parading; these were in-front of Nazi buildings to reflect on the biologically pure, vigorous Aryan race.

Hitler’s favourite sculptures were Arno Breker and Josef Thorsk and so were given great studios to produce masses of heroic German figures with dominating animals attached, such as the eagle.   

the eagle representing power, protection and
domination. 

muscle man, represent strong perfection of the master race!

statues were placed outside of public
buildings so people saw them a lot.